I have been working as a sound designer in fringe theatre for three years, working on a wide range of shows of varying scales. My design is driven by studio and field recordings, often starting with a piano and sampler, and my work is often influenced by synthesised textures, creating undulating soundscapes and atmospheres. I specialised in electronic composition, focusing on audio manipulation, new ways of scoring and notating, as well as working with binaural recordings. I am very comfortable with audio editing and have lots of experience with programming keyboards, QLab files, and recording, as well as with podcast production and editing.
Upcoming projects:
It’s Gonna Blow - Pleasance Queen Dome, Edinburgh Fringe 2025
(Writers: Sean Wareing and Freddie Walker, Director: Lara Lawman)
Lydia Bennet Works in Finance - Greenside, Edinburgh Fringe 2025
(Writer: Trelawny Kean, Director: Stacey Carmichael)
The Trials - Southwark Playhouse Large, August 2025
(Writer: Dawn King, Director: Vicky Moran)
-
The Workingman’s Club - Lion and Unicorn, 2025 (Writer: Jessica Taylor, Director: Micha Mirto)
The Grim - Underbelly Edinburgh/Old Red Lion, 2024 (Writer: Edmund Morris, Director: Ben Woodhall)
Bloody Lovely Halloween Special - Canal Café Theatre, 2023 (Writers: Bloody Lovely Theatre)
Norman’s Year - Canal Café Theatre, 2023 (Director: Joe Warwick)
Head of Sound - Durham Student Theatre 2021
